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Name: Divya choudhary
Course : M.A English
Topic : Tagore's contribution in Indian writing in english as a poet
Semester : 01
Roll No : 07
Paper No : 4
Paper Name : India Writing in English
Enrolment No: 15101007
Email ID : choudharydivya400@gmail.com
BatchYear : 2015-17
Submitted To: Department Of English
Maharaja Krishnakumarsinhji Bhavnagar University
Æ
TAGORE'S CONTRIBUTION IN
INDIAN WRITING IN ENGLISH AS A POET
He
was born in Calcutta in 6th of may 1861. If he was fortunate in the time of his
birth, when such a flowering season lay before his native tongue, in his family
be had a gift which cannot overestimated. He was born a Tagore: That is, he was
born into the family in which he could experience the national life at its very
fullest and freest. He was born into the great rambling mention at JORASANKO, in the heart of Calcutta's
teeming life. Rabindranath declined to be educated. His first experience of
school distressed him, but he escaped the ordinary routine of Indian school
life, and his education was desultory, even when his fame was long established,
a Calcutta journal demurred to the suggestion that he could be an examiner, In
the matriculation of all examinations on the ground that he was 'Not a Bengali
scholar'. His autobiography rejoices in the mighty hills, which cast spell on
his soul beyond another. It is very noticeable vaster many festations had
exercised over Rabindranath. No poet has felt more deeply and constantly the
fascination of the great spaces of Earth and Sky, the boundless risen and white
lights of evening, the expanse of moonlight. To the way these have touched him
with peace and the power of beauty a thousand passages in his work bear
witness. Mountains touched his imagination comparatively little. He would not
be Rabindranath if he had not laid them under contribution of furnish pictures.
...The
great forest trees were found clustering closer, and from underneath their
shade a little waterfall trickling out, a little daughter of the hermitage
playing at the feet of hoary sages rapt in meditation [My Reminiscences].
But that is not the language of the
man on whose Soul the great mountains have thrown their shadow, so that be
loves them to the end. It has but to be placed besides the authentic utterance
to be seen for what it is, a graceful image which the mind has gathered for
itself outside itself. Rabindranath loved nature but it was nature as she comes
close to the habitations of men. His rivers are not left for long without a
scale on their surfaces; they flow by meadow and pasture. His flowers and bees
are in garden and orchard; His forest is at the Hamlet's door. His fellowmen
were a necessity to him. Author of GITANJALI
and its profoundly sensitive fresh and beautiful worse, he became the first
non- European to win the noble prize in literature in 1913. In translation his poetry was viewed as spiritual and
mercurial, however his elegant prose and magical poetry remain largely unknown
outside Bengal. He was highly influential and in introducing the best of Indian
culture to the west and vice versa, and he is generally regarded as the
outstanding creative artist of the modern Indian subcontinent. He wrote poetry
from childhood at the age of sixteen be released his first substantial poems
under the pseudonym Bhanusimha which were seized upon the literary authorities
as a long last classics. His compositions were choosen by two nations as
national Anthems: India's JAN-GAN-MAN
and Bangladesh's AMAR SHONAR BANGLA.
The lyrics and music for the original songs of Shrilanka's Anthem were also the
work of Tagore. Jyotindranath one of his brothers was a musician, composer and
a play writer. Jyotindranath's wife Kadambri, slightly older than Tagore was a
dear friend and powerful influence. Her abrupt suicide in 1884 soon after he married, left him for years profoundly
distraught. In 1901 Tagore moved to
Shantiniketan to found an Ashram with a marble floored prayer hall-the
mandir-an experimental school- groves of tress, gardens, a library. There his
wife and two of his children died his father died in 1905. He gained Bengali and foreign readers alike; he published
Naivedya (1901) and Kheya (1906) and translated poems into free
worse. Between 1878 and 1932, Tagore set foot in more than 30 countries on 5 continents. In 1912, he took a sheaf of his translated
works to England where they gained attention from missionary and Gandhi
protigue Charles Fandrews, Irish poets, W B Yeats, Easra Pound, Robert Bridges,
Earnest Rhys, Thomas Sterg Moore and others. Yeats wrote the preface to the
English translation of Gitanjali. Tagore's
poetic style which proceeds from a lineage established by 15th and 16th century
vaishnav poets ranges from classical formalism to the comic visionary and
ecstatic. He was influenced by the Atavistic mysticism of Vyas and other rishi
authors of the Upanishads, the bhakti sufi mystic Kabir
and Ramprasad change. His most innovative and mature poetry embodies his
exposure to Bengali rural folk music which includes mystic baul Bullads such as
those of Bard Lalon. During his Shiyaldah years, his poems took on a lyrical
voice of the Moner Manush, the bauls "Man
within the heart" and Tagore's "Life force of his deep recesses" or meditating upon the
jivandevta- the demiurge or the "living
God within". This figure connected with divinity through appeal to
nature and the emotional interplay of human drama. Mainly his inspiration came
from the people and life around him. He was also got enough inspiration from
Bhagwadgita. Tagore's poetry was influenced by traditional Indian poetry for
example- the devotional Indian poets of Ramprasad and Kabir especially
influenced his early poetry works. Later he was influenced by the baul
tradition which is a traditional Bengali folk music, known for its simple
ballads and invocation to union with the beloved. He also studied the Upanishads,
languages and modern sciences. The poet's early life was spent in an atmosphere
of religion and arts principally literature, music and painting. Tagore's
philosophies and way of living was heavily influenced by the concept of Vedas and
Upanishads. In music Tagore's training was classical Indian, though as a
composer, be rebelled against the Tarang of classical orthodoxy, and introduced
many variations of form and phrase notably form Bengali folk music and the baul
and bhatiyali type. all these were his inspirations. His selfless work and
ideology made him what he became. throughout Tagore's work there is strong
mystical element although it is worth nothing Tagore rarely referred to God
directly. " When the voice of the silent touches my words, I know him and
therefore know myself." For Tagore, beauty and beauty's appreciation was
of his life and Sadhana and this was reflected in his poetry.
"Beauty is in the ideal of
perfect harmony
which is in a universal being;
Truth the perfect comprehension of
the universal mind."
Tagore kept writing poetry throughout
his life. In the evening of his life, when he suffered various illness, be
became concered with the theme of death and man's immorality.
"The night is black and the
forest has no end;
A million people thread it in a
million ways
We have trysts to keep in the
darkness,
but where or with whom- that a
lifetime's bliss will
appear any minute, with a smile upon
its lips."
- R. Tagore 'On the Nature of Love'
The idea that he would have the
fascinating experience of seeing it grow and then flower and bear fruit. This
was, of course, a wish which could not be consummated when the seed happened to
be sown on a fistful of soil inside the house. the experience struck in his
mind so deeply that it reappeared as the theme of a poem written in his old
age. During his early boyhood, Rabindranath was placed under the charge of
private tutors to learn his lessons. At times, such lessons proved so being to
him that he would usually play on such occasions was to feign that he was suffering from stomach
ache. He would plead to his mother for exemption from taking lessons. The
scenic beauty of rural Bengal had its impact on his poetry too and it became a
new subject for treatment in his poems. The specific charm of the poems of
Sonar Tari is evidently derived from this source. The image of a boat plied by
a mystical figure that haunts the last poem of his collection was evidently
inspired by the long boat journey's on the Padma. It also appears that on
entire book of verses called Chaitali was the gift of his land of beauty. It
records the scenic beauty and petty village incidents in such meticulous
details that they appear to take shape before the readers eyes. The conflicting
moods are discernible in the poems of Chitra written in 1896. He gave vent to his resentment on seeing the
miserable existence of rural labourers by writing the steering poem Ebar Firao
more which finds place in Chitra. During the rainy season, Mrinalini Devi was
ill at Shantiniketan and diseases could
not be cured by Local Doctors so she was removed to the family house of
Jorasanko for better medical attention. After a protected illness patiently
born, Mrinalini Devi expired on November 23, 1902. The grief that flooded his
heart on this occasion however found expression in secret in a series of poems
written at a stretch within two months of his wife's death. Soon after they
were published in the form of a book titled Samran. The book was not directly
dedicated to Mrinalini Devi but on the page unmarked for dedication, it simply
quoted the date of her death. This book contributed to Bengali literature on
one of the best collections of poems dealing with the tragedy of a beloved, and
stands comparison with other similar books in literature world. One of it poems
has been translated into English by the poet himself and given a place in his
English Gitanjali. The poem gives a vivid picture of the agony of his heart
when he misses her in the house and seeks consolation by dipping his emptied
life in the ocean of eternity. Tagore develops a love for the religion founded
by his father. be used to compose rhymes to be sung during prayers and such
contributions have been assigned on honourable place on the compilation of
Hymns brought and by his community charmed by a particular hymn, his father on
one occasion expressed his monetary reward. Tagore says that the search is for
the e inspiration for the spiritual self realisation has also for his poetry
being a same what be discovered at the end of his lifelong quest was truly a
poet's religion the fact that a common theme provided inspiration to both his
religion and poetry imports two rare qualities to the latter. First his poetry
has a dynamic quality; has a history and his developed through different phases
to maturity. In Tagore's poems, a continuous growth can be praised from his
earliest writings. The second quality imparted by the common theme is that his
poetry becomes a written record of his religious experience. in its mature
form, therefore it gives a picture of his own idea what religion should be. In
1940, Oxford University arranged a special ceremony Shantiniketan to honour the
poet with Doctorate of Literature. Tagore passed way on 7 August 1941. In his
ancestral home in Calcutta, the house where he was born. Tagore influenced many
poets and literary figures. Early admirers included W B Yeats and Romaine
Rolland. His poetry was also appreciated by Spanish poets such as Nobel
Laureates: Gabriella Mistral, Pablo Neruda and Octavia Paz. Tagore's reputation
as a writer was established in the United States and in England after the
publication of Gitanjali: Songs offering which Tagore tried to find inner calm
and explored the theme of divine and human love. The poems were translated into
English by Tagore himself. His comic visions on much to the lyric tradition of
Vaishnava Hinduism and its concepts about the relationship between Man and God.
Much of Tagore's ideology comes from the Upanishad's and from his own beliefs
that God can be found through personal purity and service to others. Be
stressed the need for the new world over based on transnational values and
ideas, the "Unity consciousness" between the years 1916-1934 be
travelled widely, attempting to spread the ideal of unity of East and West. One
of the famous poems of Rabindranath Tagore is-
Where the mind is without fear
and the head is held high,
Where knowledge is free,
Where the world has not been
broken by fragments into narrow
domestic walls.
Where words come out from the depth
of the truth,
Where tireless striving stretches
its arms towards perfection.
Where the clear stream of reason
has not lost its way
into the dreary desert sand of dead
habit,
where the mind is lead forward by
thee.
Into ever widening action thought and
action
Into that heaven of freedom
My Father, let my country awake.
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